Fiction

Wanglung Children’s Book Sale!


Recently, I used Kickstarter to self-publish my children’s book Wandlung. You can read and share the book here. Soft cover copies of the book are available through Amazon and my publisher’s site and copies of the limited edition hard back version are available from local Oklahoma City vendors Collected Thread, Blue Seven, and Full Circle Books.

As of this publication, I still have a small stack of the limited edition hard back version in my possession and I’m ready to get these out into little hands! There were only 65 hard back copies ever printed, and most of those have already been shipped to Kickstarter backers, placed in local storefronts, or sold by me personally. To make sure that the last few get to be read, I’m going to be selling the remaining books at $15 a piece. That’s a 40% discount, making them cheaper than the soft cover copies currently on sale online!

If you do not live in the Oklahoma City or Cincinnati metro areas, you can still get a copy! Shipping inside the U.S. is an additional $4. These will be sold on a first come, first served basis until they run out! To grab your copy, contact me through the contact form below.

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Further Reading

C.S. Lewis On Why Kids Need Fantasy Literature

A Review Of “In The Night Kitchen” By Maurice Sendak

Thoughts On “The Railway Children” By E. Nesbit

 

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Horrible Start # 2 – Roast Beef


As I wrote originally, the Bulwer-Lytton awards are something that should elicited endless hours of enjoyment for the average English major. I have devoted a menu here to creating my own, but the mood has rarely struck me as of yet. Here’s my second entry to date.

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“As he chewed, swallowed, and digested the grocery sample roast beef on marbled rye, he contemplated the metallic, rainbow, fishing-lure sheen of the meat and proposed that surely no animal existing outside of a Lisa Frank binder should ever display such morbidly brilliant chemical coloration upon dissection; he cut a wide birth with the rusty wheeled cart and made for another slice.”

Author Quotes: Science, Religion, and Vonnegut’s Disrespect


PROTEIN
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“He was supposed to be our commencement speaker,” said Sandra.

“Who was?” I asked.

“Dr. Hoenikker – the old man.”

“What did he say?”

“He didn’t show up.”

“So you didn’t get a commencement address?”

“Oh, we got one. Dr. Breed, the one you’re gonna see tomorrow, he showed up, all out of breath, and he gave some kind of talk.”

“What did he say?”

“He said he hoped a lot of us would have careers in science,” she said. She didn’t see anything funny in that. She was remembering a lesson that had impressed her. She was repeating it gropingly, dutifully.

“He said, the trouble with the world was …”
She had to stop and think.

“The trouble with the world was,” she continued hesitatingly,

“that people were still superstitious instead of scientific. He said if everybody would study science more, there wouldn’t be all the trouble there was.”
“He said science was going to discover the basic secret of life someday,” the bartender put in. He scratched his head and frowned.

“Didn’t I read in the paper the other day where they’d finally found out what it was?”

“I missed that,” I murmured.

“I saw that,” said Sandra.

“About two days ago.”

“That’s right,” said the bartender.

“What is the secret of life?” I asked.

“I forget,” said Sandra.

“Protein,” the bartender declared.

“They found out something about protein.”

“Yeah,” said Sandra,

“that’s it.”

 

– Kurt Vonnegut, chapter 11 of Cat’s Cradle, titled “Protein.”

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I recently reviewed Vonnegut’s Slaughterhouse-Five on the blog, and everyone shouted loudly that I must read Cat’s Cradle, which I am happily diverting from my 55 List to indulge. As I mentioned before, Vonnegut gets us comfortable, speaks to us disarmingly and then makes a silly character of all of our presumptions and standards. He says, “look, I can show you the epitome of our social normalcy, and I can damn everything about these religions and this science and this culture. It’s all rotten.”

That’s what I like about this tiny chapter. It makes a perfectly poignant, stand-alone social commentary on how easily we can assume that science can replace religion, which can replace engagement. Apparently if we understand the “how”, we need not understand the “why”.

Religion is, by definition, systematization and lifestyle adherence to a standardized philosophy. It often gives us answers which have been pre-reasoned for us. We are asked to simply concede their apparent truth. Science often attempts to walk a similar line, replacing the “here’s why” with a “here’s how.” Just because something is presented to us systematically does not invalidate it, but there is always paradox and apparent holes.

Vonnegut’s constant hostility toward these forms seems to come almost solely from his perspective on their complete lack of moral sustenance. Surviving WWII, his confidence in the integrity of most social institutions was utterly destroyed. He is able to look at Christianity and democracy and science through the lenses of Hiroshima and genocide, and his arguments are pretty convincing. Humanity is implicit in evil, Vonnegut is a grinning rebel against responsible parties, and his claim is that your religion and your scientific discoveries are worthless without moral bearings to reel them in.

Do you object?

 

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Further reading

What Christians Can Learn From An Atheist

Masanobu Fukuoka And The Philosophy Behind The Science

Wendell Berry On Paths V. Roads

Wanna Change The World? Shake Someone’s Hand!

“II” by Wendell Berry


The poignancy of this poem is palpable. Alliteration.

Go check out jrbenjamin.com, ASAP.

Author Quotes: Dave Eggers On Why Publishing Is Scary


“Publishing other people’s work is a hell of a lot more enjoyable than publishing your own. Publishing your own work is fraught with complicated, even tortured, feelings. Invariably you believe that you’ve failed. That you could have done better. That if you were given another month or another year, you would have achieved what you set out to do.
Actually, it’s not always that bad.
But usually it is.
Publishing someone else’s work, though, is uncomplicated. You can be an unabashed champion of that work. You can finish reading it, or finish editing it, and know that it’s done, that people will love it, and that you can’t wait to print it. That feeling is strong, and it’s simple, and it’s pure.”

– Dave Eggers, Introduction to the new collected volume The Best Of McSweeney’s

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I’m sure anyone that writes fiction and takes this action seriously experiences at least fleeting questions of whether everyone else with think they are crazy for what came from their mind. It is somehow easy to feel, simultaneously, a very deep human connection with a story and a fear that no one else will connect with the same elements. It’s much easier to read a new manuscript, know that it’s wonderful, and instantly validate it because we are not responsible for it and because we have already made a human connection with the author. Two people that grasp the value of a work is all that is needed to be sure of its merit.

I recently self-published an odd little children’s book that I have come to love. Self-publishing has been a really fun and positive experience and using Kickstarter to fund it provided a lot of community support that made all the difference, but having very little outside editing and really only printing on my own approval made me all the more apprehensive about the reception of the story.

People have finally started receiving and reading the book with a lot of positive responses, but the most impactful came last night, when my aunt contacted me and expressed a deep understanding of the simple story. Having at least one person grasp the human elements makes all the difference.

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Excerpts from my aunt’s response to Wandlung.

“Got your book today. Read it five times to six different people. . .It took me until the third read to really warm up to it partly because I like happy endings. Yet, in life, especially when our lives interact with others, we can’t always expect a happy ending. Sometimes friendships are only for a season and we go our separate ways. It’s not always a pain we acknowledge or even stop to properly grieve.”

Keats And A Creative Fear Of Death


“When I have fears that I may cease to be

~~Before my pen has glean’d my teeming brain,

Before high-piled books, in charact’ey,

~~Hold like rich garners the full-ripen’d grain;

When I behold, upon the night’s starr’d face,

~~Huge cloudy symbols of a high romance,

And think that I may never live to trace

~~Their shadows, with the magic hand of chance;

And when I feel, fair creature of an hour!

~~That I shall never look upon thee more,

Never have relish in the faery power

~~Of unreflecting love!–then on the shore

Of the wide world I stand alone, and think

Till love and fame to nothingness do sink.

– John Keats, When I Have Fears
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I find this poem so deeply relatable. I have many books and stories I am in process of completing and I always tend to keep more content in my head than on paper. I would assume that most other artists have contemplated the fear of dying without completing the work they can visualize. J.D. Salinger had a 6 chapters draft of The Catcher And The Rye stuffed in his jacket when he landed on the Normandy beaches on D-Day. I wonder what other manuscripts didn’t survive that day? That’s not to mention the countless authors like Dickens who have died in the midst of some of their most intriguing work.

This poem is not simply about leaving unfinished work. It’s also about the fear of leaving behind the very inspirations of this world. Keats writes like a man nurtured by romanticized nature and the triumphs of artists before him. For him the standing alone, thinking, and sinking into nothingness must have been greater than most. To be inspired is to run great risk.

Author Quotes: Guy Davenport On Tolkien’s Bluegrass Shire


“The closest I have ever gotten to the secret and inner Tolkien was in a casual conversation on a snowy day in Shelbyville, Kentucky. I forget how in the world we came to talk of Tolkien at all, but I began plying questions as soon as I knew that I was talking to a man who had been at Oxford as a classmate of Ronald Tolkien’s. He was a history teacher, Allen Barnett. He had never read The Hobbit or The Lord Of The Rings. Indeed, he was astonished and pleased to know that his friend of so many years ago had made a name for himself as a writer.

‘Imagine that! You know, he used to have the most extraordinary interest in the people here in Kentucky. He could never get enough of my tales of Kentucky folk. He used to make me repeat family names like Barefoot and Boffin and Baggins and good names like that.’

And out of the window I could see tobacco barns. The charming anachronism of the hobbit’s pipes suddenly made sense in a new way. The Shire and its settled manners and shy hobbits have many antecedents in folklore and in reality. . .Kentucky, seems, contributed its share.”

– Guy Davenport, essay excerpt from The Geography Of The Imagination

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While enlightening, this revealing little excerpt may not be as interesting to non-Kentuckians. I am myself of Bluegrass stock and, having lived away for a few years now, I am continuing to see my appreciation of the simple green nooks of the Ohio River Valley snowball with every continuing season. This little tidbit makes me almost as excited about Kentucky as having Wendell Berry among our numbers.

It has been argued that Davenport stretches this Kentucky idea and perhaps Tolkien did not often reconsider his stories from Barnett in the writing of The Hobbit. It does seem unlikely that Barnett would know nothing of Tolkien’s success and yet trump up these recollections, so I would assume that either he knew more of Tolkien’s works than he let on or Davenport stretched the truth in his retelling their conversation. If neither of these is true, it does seem hard to see no connection whatsoever between Barnett’s recollections and Tolkien’s writing.

The truth of the matter is that I am a quarter Irish and a quarter I-Don’t-Know, both from Cincinnati, Ohio. The other half in me is Appalachian. With family names like Ball, Hensley, and Phillips; its safe to guess that most of those ancestors started out on rolling English hills before the uprooted to rolling Kentucky hills. The reason Tolkien would have been fascinated by Kentucky would be that it reminded him of the rural English countryside of his youth. It was the land rooted-ness, the folk-ishness underlying these similar peoples, that obviously and undeniably fascinated him.

The hill people with their limited outside knowledge and unique local customs were at the heart of Tolkien’s most popular myths. For years, he created a fantastic world of higher orders of beings warring for pure good and evil. Then, almost accidentally, he stuck in an entire race Hobbits; the Kentucky-rural, English bumpkins who didn’t know there were other lands with which to be concerned.

Realizing this, I can’t help but feel proud, then insulted, then honored. Proud to be associated with a culture that Tolkien found fascinating. Insulted to see how backwards and ignorant he (accurately?) paints such cultures. Ultimately, its an honor to realize that The Lord Of The Rings really points out that simple people can continually surprise you with their bravery and willingness to fight for good.

If you understand Tolkien, you begin to realize that he cherished the idea of localized, slow-growth cultures. He was fearful of the impending washout of all cultures to one, because he valued the traditions and heritage of all peoples, and the truth, beauty, and courage that can be built upon and passed down by every Father.

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I will leave you with this interesting bit from Davenport’s essay. He met Hugo Dyson, the loudest of the Inklings and class clown of the group who stuck his foot in his mouth with everyone he met. He would often refuse to participate in meetings if his dear friend Tolkien’s fantasy manuscripts were to be read aloud.

“‘Dear Ronald,’ Dyson said, ‘Writing all those silly books with three introductions and ten appendixes. His was not a true imagination, you know: He made it all up.’ I have tried for fifteen years to figure out what Dyson meant by that remark.”

Wandlung Picture Book Giveaway


My new picture book, Wandlung, has hit the market and is now available in soft cover online and in hardback from me directly. It’s an adventurous tale of a young boy who sets out on a journey to protect his magically transformed best friend.

My good friend Jen at WhatMyKidsRead has been gracious enough to not only do the first review of the book but also to host a giveaway of a signed copy of the soft cover version!

That’s right! You can sign up to win a free, signed copy of Wandlung at WhatMyKidsRead! Hurry on over and remember, whether you love or hate the story, let me know your thoughts!

The Town Lies Awake Together


I spent most of June through late September taking the air in South America that year. It was the only time in history that I could see news from home in newspapers I could get ahold of in Havana. I always joke that it was a sign I am never meant to escape the gossips of Harkins.

In late August, my friend Chris tells me, the hive was absolutely swarming with activity that, without a context, would have been accountable only as madness. The sweltering heat of the muggy late summer was at complete odds with the bustle and near elation that comes upon a small town anticipating the start of a murder trial.

He said that Arlington Pew looked as disturbingly put together as he ever had, both in demeanor and attire. There has been a long running gag among the local fellas and the better renditions of it involve a fire breaking out in the middle of the night and neighbors rousing Arlington Pew only to find him answering the door fully pressed, dressed, and eager to entertain anyone in distress. I’d bet most every man ’round town has chuckled at that at some point in the past, only on account of it probably being close to the truth. I would also guess that many, like myself, felt a little close at the collar thinking about that joke retrospectively.

It’s true that Pew was not much of a pal to any fella and, for the most part, he seemed more eager for women’s or mixed company. I don’t know that anyone would have believed he had an enemy in the world, though most could only shake there heads to themselves if they considered him long enough.

Well, the way Chris tells it is as good as any I could gather from the reporter’s accounts I read, and the murmur and hum at the outset must have been audible three streets over, if anyone had stayed that far away to hear it.

They say it took Judge Hewlett more than a few wraps of his formidable gavel to get the crowds shuffled into some sort of order, and then there were the additional guards brought in who were still trying to get the doors closed and the halls outside reasonably emptied.

Murders always seem to fascinate men. Sometimes it seems from boredom with living they find excitement in considering those who are no longer doing it and the people who made their decisions for them. Sometimes it seems the grizzly nature of a murder keeps people interested. Other times perhaps the sheer weight of the hate or malice hanging upon the perpetrator is the draw.

In this case, I hold firmly that it was none of these. It was the first murder in Logan County in twelve years, and the first in Harkins in nearly six decades. It was not boredom or grotesqueness or a sheerly violent heart that drew the majority of the local crowds to the house of fair weights to hear the proceedings. It was, I believe, that every local man and woman wanted to ask Arlington Pew a simple question.

“Why? Why, mister Pew, did you decide to kill the boy Harry Clark in the middle of the ladies shoes department in broad daylight? Why did you kill a broke, young optimist when you were always so irritatingly polite and cordial to every difficult customer that regularly took the time to tread all over you?” No one had dared voice it, yet everyone needed to know.

“Order!” or something along those official lines Judge Hewlett called for; his additional guard made sure that he got what he wanted.

“How do you plead?” was the natural progression of these things.

“Not guilty, you’re Honor.” Slowly rising and slowly speaking, the thin man with thin arms had thin fingers splayed out with their ten tips across the oak tabletop.  His confidence bordered on elegance. The people of Harkins were awed.

“We plead not guilty on account of such immense emotional distress as to lead my client Mr. Pew’s into a temporary and recurring insanity. We intended to provide documented evidence of a recurring psychological condition rendering my client without his normal capacity for reason.” Mr. big-name-throughout-the-southern-states, Mr. happy-to-take-the-courtroom-as-his-own-playground, Mr. Timothy Grauers, lanky defendant in the most sensational cases, appeared only too pleased to have the judge cut him off here and remind him that his widely-reputed eloquence aught not take him off into various directions ahead of prescribed schedule.

“Ah-hem!” Mr. Pew, who had fallen completely out of most of the present minds as merely a blurry, peripheral speck at the far end of Mr. Grauers’s table, suddenly came sharply back into focus. The room deadened.

“I think we can wrap this up quite succinctly. I must say my wardrobe and hygiene have suffered greatly in the hands of the jail house facilities these past few days and I feel it my duty therefore to clear this whole business up immediately. The boy was shot, unfortunately, because of the sweat.”

Every ear remained at full attention.

“I beg your pardon, Mr. Pew?” Even Judge Hewlett was unusually cordial in his puzzlement. “The sweat?”

“The sweat, your honor, yes. The sweat. It is common, albeit very unbecoming for some people to perspire in this season of the year. Some of you, due to your line of work or hygiene have greater tendencies than others. While I can accommodate this unfortunate tendency in its necessary place, I believe we can all agree that our illustrious McCavinaugh’s, the crowning jewel of this town’s society, is no place to come in such a state, let alone the ladies department. The disruption for the lady patrons, and Miss Trideux especially, was beyond consolation. The necessary action became apparent. It is a case of self-defense, your Honor. It is a case of defense of the class that is the ‘Lady.'”

Silence continued. The people looked to the judge like children, their eyes pleading for his authority to somehow make sense of this. His brow was furrowed, lip bitten in an almost nervous tell that none ever had or likely ever will see in his courtroom again. He stared deeply into the left rear or the ceiling for some minutes.

“Court is adjourned until tomorrow morning at ten am.” He finally muttered over a weak-wristed gavel knock.

The people filed out silently and orderly, as oppositely composed from their entrance as if they had been choreographed into a funeral procession. Barely a whisper rose. The defense council sat strewn out along the oak table glancing longways and in annoyance at his subject, who sat with folded hands and gazing up high above the judge’s stand. A halo was the only thing missing from the tailored picture of serenity.

Although I always promise him that I believe him wholeheartedly, Chris still swears hard at every retelling that not a soul spoke a word as the crowds dispersed across the lawn and the town square. He says he didn’t really hear many people speaking much in public for almost a week after that day, and when they did start back up he never heard anyone mention the trial again. It continued on in the same courtroom, with the same judge, jury, law men, and guards, but the crowd was gone. Only a handful of non-local gawkers and a myriad of significantly less-cramped newspaper men attended the ensuing battle, which was far shorter and less extravagant than Mr. Grauers intended. Both the local papers stopped covering the story before the case really took off, even though most of the big nationals ran a little front page blurb when the verdict came out. The insanity plea held up too easily for Mr. Grauers’ taste so that he was barely even necessary, and twenty years at Mooreston Sanitarium was the prescribed medication for Arlington Pew. I have heard rumor that his health has greatly deteriorated there and his doctors do not expected much in terms of his mental reform or life expectancy.

I learned quickly upon my return not to make mention of the events that transpired in my absence with just about anyone but Chris. McCavinaugh’s found a far less enthusiastic shoe salesman and apart from that the town tries its hardest to feel no change, to not accept the events of that August.

Occasionally I will have some writer friend from the city stop over in town and, from the comfort and safety of a cloud of pipe smoke in the den, Chris and I will recount for them the incident in the context of its local rejection. It is always hard to decide which is more complicated.

When I lie awake in the night, as I often do, I wonder if the whole town lies awake together, penitent and tormented by the immense secret which the whole world knows. We ride out the darkness to another dawn’s promise, another rest from the question.

– M. Landers, March 2014

The Empty Plinth


There are three women with whom I share my deepest secrets.

The first is my wife. She is my lover and my co-laborer. She helped to make my babies and she nurtures them so that I have no worries when I am not near them, for the warmth between them warms me from afar. We march through life gently, arm-in-arm, and are not swayed; head-long, we step into the unknown and terrible future. She is the tree which Silverstein asked to give, for “though she be but little, she is fierce.”

The second woman lives above the water with her daughter, in the midst of the rose garden. She is Galatea at play, full of mirth and triviality. She is a vision in the sun, distracted most by the summer joy which distracts all together and without offence; we smile upon the Blinding Light as one. She and her child, Metharme, belong among the bees and the roses and the splashings of fish in the pond. Her company is sweet upon a summer lawn, and the days seem an eternity stood still in her hazy presence.

The third woman is downcast, standing among holly and thorns. She stands uncovered, naked and abandoned in the recesses. She weeps gently, though I know not why, hands cast about, her very frame ever on the verge of despair. She speaks not her sorrow, but on her bench I find my place when all the world faces downward; when the winter’s wind rips me I find solace in my sorrow at her side. She is the beacon for the hopeless, and when I lose my own I find refuge at her side, tucked away within the dark depth.

I visited the downcast woman and I noticed in the darkness something I had never seen before. Far back in the depths of her holly home there stood, decayed, a plinth with no owner. Fighting against the needle leaves and unwealding branches I made my way closer, though little closer was I able to come. No sign of the owner, no rubble or dust remained. And suddenly I knew for what, for whom, she despaired.

Be he marble or be he stone, he was gone and it did not matter. Their is no form a man can take which assures he will remain.