story

Special Novella Review: “The Life and Remembrances of Martha Toole” by Jason Derr

I recently finished reading the short novella “The Life And Remembrances Of Martha Toole,” a story that explores our relation to our place and what we leave of ourselves behind us there. It follows the semi-dysfunctional (or at least thoroughly modern) Hammer family as they put up with, first, an extended visit from the elderly, hyper-critical Martha Toole, and eventually, a sort of ghost of the Martha Toole of the past, a youthful version that appears from the family land itself. Throughout their interactions, we see the elderly reflections on the past and the youthful thoughts a past generation might have concerning iPads and chain grocery stores. Nostalgia and the changes in a person over a lifetime are tinkered and toyed with throughout.

I love the idea of this story. It was a little eerie to me to read because, while I never had the idea for a story like this (I wish I had though!), it reads more like my own youthful writing style than anything else I’ve ever read. Perhaps that also makes me a bit more critical of the writing than I would normally be as well.

Martha Toole is too heavy on the vague philosophical components and too light on inspiring narrative. It would have been better as a much shorter short story or fleshed out in a different form as a much fuller novel. The characters and history are spelled out by the narrator rather than develop. There is littl dialogue and what there is feels flat.

Again, I’m especially hard on this story because it feels like something I would have written just a few years ago, when the only thing motivating my writing was the philosophical or emotional point I was trying to make with the story. There is little that feels creative in the style, though the subject matter it mostly enjoyable. There is a sequence when the younger Martha Toole goes out with her great-grandniece (or something like that) to visit a boy who torments her because he has a crush on her. When they arrive, Martha realizes she once knew the land where he lives, and personally knew his ancestors. She goes from a childish girl to talking family history with his astonished father. This sequence really shines through and touched me deeply, in a way I had hoped the entire story would. Sadly, most of the rest felt like a first draft.

Either way, I encourage you to give the story a read and let me know your thoughts!

Disclosure of Material Connection: I received this book free from the author and/or publisher through the Speakeasy blogging book review network. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR,Part 255.

The Tragedy Of Having A Baby

UPDATE!!!

My wife is 41+ weeks pregnant with our third child. Even though we’ve done this (twice) before, we are attempting a VBAC home-birth and we’ve both been running the full gamut of stressful and nervous emotions. All signs point toward a healthy and comfortable baby who just doesn’t want to come out yet(who can blame them?), but expecting to go into labor every hour for 3 weeks is exhausting.

The other day, after a solid cry session, my wife expressed again her current emotions in the constant waiting and said “I just feel like something bad has happened and I have to convince myself to be okay and bear it.” The truth is that anything we put significant hope in is a tragedy until it is fulfilled. It’s not tragic because we don’t want this baby, its tragic because we really, REALLY want this baby and we can’t do anything to get at it.

From a storytelling perspective, this makes a lot of sense. The goals that any characters hope toward and how their actions and fate play together are the plot of a strong story. The only difference between a traditional comedy and a tragedy is whether the hopes of the protagonist were eventually fulfilled. In a comedy he gets the girl and the happily-ever-after. In a tragedy he dies alone. Either way, the plot along the way is tinged with some level of fear that his hope is misplaced.

I think life should be full of these experiences. They suck pretty badly, but if we want to cultivate things like faith and hopefulness then we have to pour a lot of them out before we start seeing them rewarded. We live in a world that mostly let’s us down. Whether its the people we care for or the general negativity of circumstances, cultures, or political structures, we have more reasons to stop hoping and cut off faith in beauty and love and truth-acted-upon. But there is reason to hope, though we only do so in weakness now.

We’re pushing in to this idea. We’re recognizing the confusion and frustration and are choosing actively to have hope that we will look back in joy and laugh at what becomes a comedy in hindsight. We want ever stronger and stronger muscles of faith, persevering to trust in the truth regardless of attacks or whispers against it. As a farmer plants his seeds in the spring and watches the seasons change in eagerness, we have hoped and prayed toward this child’s birth and will continue to seek and find rest in the future healthy delivery of a son or daughter (we don’t know which!)

UPDATE!!!

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Further reading

What Daughters Should Expect From Their Fathers

Wanna Change The World? Shake Someone’s Hand!

What Christians Can Learn From Atheists

Is Life A Narrative And Does It Matter?

Last night I read a new article on a great blog I follow called The Bully Pulpit. The blog is mainly philosophical in bent with large doses of political thought and heaps of great quotes from thinkers throughout the ages. If you enjoy the Author Quotes section here you would probably like The Bully Pulpit.

I really find just about everything ol’ J.R. says over there to be fascinating and last night’s post didn’t disappoint. The post is titled “Is A Human Life A Narrative?” and it basically quotes a couple of authors on their thoroughly-devised philosophies of how life is distinctly not a narrative. They point out that life is simply a collection of random events to which human beings naturally assign a plot. J.R. seemed to readily agree with their logic.

The post has stirred up a lot of contemplation in me and I can tell it gets to others as well in an almost surprising way. Even though most people don’t frequently consider their own narrative or effective story-processing skills, it can prove quite unnerving to contemplate one’s own world as invalid or, worse, an illusion. As this simple blog can attest, I have made myself a student of story and creative inspiration. I have devoted a great deal to these concepts and even read some good books on the science behind the natural human behavior of narrative-based risk-weighing and decision-making (I highly suggest Wired For Story if you are a writer. While it is not a science text, it is a very light read on narrative design that builds upon scientific research into how we process information.) I would not say, however, that I have given an adequate amount of significant thought to the question of whether life is actually in fact a story. It seems that most of us interested in recognizing this axiom are already determined to validate and love on it.

I think it is easy for anyone to agree that, yes, the tuna sandwich I ate for lunch last Tuesday plays little to no role in my preconceived life narrative. While every little experience may be a grain of sand upon a scale which changes our attitudes over time, we would not include 90% of the actual content of our lives in a memoir. The things we do recognize as valuable are usually pivotal because they are sensationalized in our memories and because they are a cumulative representation, a turning point of events we would recognize as changing chapters or entire narratives from before and after said key memory. Regardless of these facts, the much larger and less theoretical question immediately becomes “should human beings continue to process information as narrative and do we even have a choice?”

I personally would argue that we have no choice in the narrative framework and that this is really a very good thing. Narrative is important. It gives life meaning. While “meaning” is a highly subjective concept, I still find it very hard to even conceptualize any sense of purpose outside of a larger set of implications termed as a narrative. It is also the starting point for processing concepts like relationship, responsibility, time, and cause-and-effect. Narrative as a cognitive tool is not invalidated by that fact that every detail of a life may not be an aspect of a consecutive narrative or by the fact that we cannot adequately process it. Many people use their narratives to successfully navigate life decision making, while many are deluded to make horrify decisions. It is not the narrative process that is at fault, it is the narratives themselves which are prone to great flaws.

This question on our minds also leads into a spider’s web of intricately related and equally daunting questions of fate, time and space, creative inspiration, and relationships.

If narrative-based cognitive processing is invalid, what are we to make of the repeated interactions between beings and/or objects?
Can we measure relationships in the scientific process without believing that we have a starting relationship, an added variable relationship, and an alter resulting relationship?
Can two human beings develop beyond strangers without a joint narrative?
Can we build an idea upon one formerly supposed without calling it a narrative?
How can you read and follow the (supposed) logic I’ve put forth in this article if not by some form of following a narrative?

So many good questions included here, I would love to hear your thoughts, further questions, and rebuttals!